Imaginary Interview with Thomas Fluharty

Imaginary Interview with Thomas Fluharty

Interviewer: Thomas, thank you for joining us today. Your work is widely admired for its depth, humor, and incredible technique. What first drew you to the world of illustration and caricature? 

Thomas Fluharty: Thanks for having me! I think, like many artists, I started young. As a kid, I was always drawing superheroes, cartoon characters, and people around me. But it wasn’t until I discovered artists like Norman Rockwell and Mort Drucker that I really understood the power of caricature and storytelling through illustration. Their work had such a unique voice, and I wanted to find mine too.

 

Interviewer: Your caricatures are instantly recognizable—expressive, exaggerated yet incredibly precise. What’s your approach to exaggeration without losing likeness?

Thomas Fluharty: Great question! It’s all about observation. I spend time studying my subject’s features, their energy, and the way they move. It’s not just about big noses or wide foreheads; it’s about capturing their essence. I look for shapes and rhythms in their face that tell a story. The key is pushing exaggeration just enough to make it playful but still unmistakably them.

 

Interviewer: Your pieces have a certain timeless quality, reminiscent of classical painting techniques. Do you intentionally merge traditional and modern influences?

Thomas Fluharty: Absolutely! I’m a huge fan of the Old Masters—Rembrandt, Vermeer, and even Bouguereau. Their use of light and form is breathtaking. I try to bring that same level of craftsmanship into my work, even if it’s a caricature of a celebrity or politician. A strong foundation in classical techniques gives you freedom to experiment and break the rules.

 

Interviewer: Many artists struggle with self-doubt. Have you ever faced creative blocks, and how do you overcome them?

Thomas Fluharty: Oh, all the time! I think self-doubt is part of being an artist. The key is pushing through it. I remind myself that every artist, no matter how great, has struggled. When I hit a block, I step away, sketch freely, or study art that inspires me. Sometimes, just giving myself permission to create bad art leads to breakthroughs.

 

Interviewer: You teach and mentor aspiring artists as well. What’s one piece of advice you always share with your students?

 Thomas Fluharty: Work hard, but don’t forget to enjoy the process. Too many artists get caught up in being perfect and forget why they started drawing in the first place. Study the fundamentals, practice every day, but also have fun! Let your personality shine through your work.

 

Interviewer: Finally, if you could give one piece of advice to your younger self, what would it be?

Thomas Fluharty: I’d say, Don’t be afraid to fail. Every sketch, every painting—even the ones you hate—are stepping stones to getting better. And never stop learning! The moment you think you’ve arrived is the moment you stop growing.

 

Interviewer: That’s incredible advice, Thomas. Thank you for sharing your insights and passion for art with us today!

Thomas Fluharty: My pleasure! Keep drawing, keep learning, and most importantly, keep having fun!

Latamarte

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