Graffiti in Latin American culture

🎨 Graffiti in Latin America, and especially in Mexico, has gone from being considered an act of vandalism to a prominent art form that expresses social, political and cultural messages. This change is reflected in its evolution from the streets to its inclusion in galleries and museums.

🌆 Originating from the hip hop culture of the 70s in New York, graffiti reflected the experiences of the African American and Latino communities. This cultural phenomenon expanded to Mexico, where it has become a mirror of social dynamics and a channel for protest and social criticism.

🖌️ Today, graffiti is a tool of resistance and creativity in Mexico. Artists like Saner and Smithe not only adorn cities but also drive social change, using street art to influence public perception and cultural policy.

🏙️ In the modern sphere, although graffiti has found a place in the formal art world, its essence remains an expression of discontent and inequality. Its incorporation into traditional spaces has generated debates about its commercialization and its legitimacy as an art form.

📜 The acceptance of graffiti as a valid artistic expression has helped transform urban spaces and influence contemporary culture. Its ability to communicate effectively makes it a powerful means of expression in the Latin American context.

🖼️ The work of graffiti artists like Saner and Smithe exemplifies the importance of graffiti in Mexican urban culture, not only as decoration but as a powerful form of social and political expression.