6. Alberto Giacometti (1901-1966)
Giacometti is known for his elongated, stylized sculptures, which seem to express the fragility and loneliness of the human being. His work is associated with existentialism.
Most famous works:
The Walking Man (1960), a thin, elongated figure that has become a symbol of the modern, solitary, and moving man.
Standing Woman (1958), another of his famous sculptures that depicts human figures in an extremely stylized form.
7. Henry Moore (1898-1986)
Henry Moore was one of the most important British sculptors of the 20th century, known for his abstract sculptures that often depict the human figure in fluid, organic forms.
Most famous works:
Reclining Figure (1938), a series of reclining human figures that explore the relationship between positive and negative spaces.
Mother and Child (1953), a recurring theme in her work that evokes both strength and vulnerability.
8. Louise Bourgeois (1911-2010)
Bourgeois was a French-American sculptor whose work explores themes such as trauma, memory, and sexuality. She is known for her monumental sculptures and her work in a variety of media.
Most famous works:
Maman (1999), a giant spider that symbolizes both protection and fear.
Cells (1989-1993), a series of installations filled with personal and psychological symbolism.
9. Alexander Calder (1898-1976)
Calder is famous for inventing the mobile, a kinetic form of sculpture that moves with the wind or with manipulation. She also created large static sculptures known as stabiles.
Most famous works:
Lobster Trap and Fish Tail (1939), one of her first mobiles that combines abstraction with movement.
Her monumental stabiles, such as Flamingo (1973), reflect her abstract and organic style.
10. Barbara Hepworth (1903-1975)
Hepworth was one of the most influential sculptors in the United Kingdom in the 20th century and a pioneer of abstract art. Her works explore the relationship between forms and space, using materials such as wood, bronze and stone.
Most famous works:
Reclining Figure (1938), one of her first explorations into the abstraction of the human figure.
Pelagos (1946), a work that reflects the interaction between object and void.
Conclusion
Sculpture has evolved over the centuries from the figurative representations of the Renaissance to the abstract and conceptual forms of modern art. Each of these sculptors has left an indelible mark on art history, and their works continue to inspire generations of artists and admirers.
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